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This is the last post in my series on the costumes worn at the coronation of George IV in 1821, and the final post in the Dress for Excess exhibition series, and we are going to take a look at teh costume worn by the Barons of the Cinque Ports.

The Barons of the Cinque Ports  had a specific role in the coronations of the English monarchs: they  carried a canopy  over the heads of the monarch during the pre-coronation procession and during the coronation ceremony. The first time they are recorded as  participating in a coronation was in 1189 for the coronation of Richard I.

The Cinque Ports are a very old and interesting association, a confederation of ports on the Sussex and Kent coasts formed  by Royal Charter in the 12th century.  The confederation was very important historically, both for defence and for trade with mainland Europe, and had many rights and privileges in return for service to the Crown. The Cinque Ports Court of Admiralty still has jurisdiction over an extensive area of the North Sea and the English Channel, including the Straits of Dover which are amongst the busiest shipping lanes in the world, although the Court has not sat for many years. The Barons of the Cinque Ports part in George IVs coronation,

is detailed in my anonymous record of the coronation, shown above:

The first thing we observed on having entered the Hall( Westminster Hall where the participants in the coronation procession assembled prior to the Coronaiton ceremony- jfw ) was the canopy which was to be bourne over the King by the Barons of the Cinque Ports. This Canopy was yellow- of silk and gold embroidery, with short curtains of muslin spangled with gold. Eight bearers having fixed the poles by which the canopy was supported, which were of steel, with silver knobs, bore it up and down the Hall, to practise the mode of carrying it in the procession. It was then deposited at the upper end of the side table of the Hall, to the left of the Throne.  The canopy was very elegant in its form and was well calculated to add to the effect of the Procession…

The canopy was now removed from the side table where it has been placed, and was brought into the middle of the Hall. The Barons of the Cinque Ports were then marshalled two to each point of the support, they now bore the Canopy down the Hall by way of Practise…The Barons now took another march in the Hall.

The order of the procession was as shown in this extract from  the account  of the  Coronation:

Here is a close up of the  part that refers to  the Barons of the Cinque Ports and their  position, with their canopy:

However, some reports of the procession  back to Westminster Hall after the Coronation suggest that George IV walked in front of the canopy so that the onlookers could get a good sight of the newly crowned king . This  departure from the script was  obviously not discussed with the Barons , and an undignified sight ensued:

“At first all seems to have gone well, but on returning to Westminster Hall, the elderly bearers began to tire at their task, causing the canopy to sway from side to side. The King feeling nervous that it would descend on his head, thought it safer to walk slightly in front of it. This however, did not suit the stout hearts, though weak bodies, of the Barons, whose privilege and duty it was to bear the canopy exactly over the king, so they hastened their steps, the canopy swaying more and more with the increased pace. The King now became genuinely alarmed, and though of portly habits quickened his pace, and, as the canopy surged after him, as last broke into a somewhat unseemly jog trot, and in this manner they all arrived at Westminster Hall”

The costume worn by Thomas Lamb, who was the Lord Mayor of Rye at the time of the Coronation, is in the Brighton Museum collection and was on show in the Princes Gallery at the Royal Pavilion.

As you can see, it was yet  another costume that took its inspiration from the past. It is designed to look like a Tudor costume. The account  of the Coronation describes it as follows:

The dresses of the Barons were extremely splendid: large cloaks of garter blue satin, with slashed arms of scarlet and stockings of dead red.

This is a view of the front of the costume,with all its detailing, gold coloured buttons and gold lace:

I have to say that this costume, while impressive at a distance, is very much like a theatrical costume or , indeed, even a fancy dress outfit. It does not really give the impression of being very substantial, or of being made of fine and weighty fabrics. It is, in my humble opinion, a little bit flimsy.

The shoes worn by Thomas Lamb were also on show-: they were made of white kid leather decorated with red satin rosettes:

And so this ends my posts on the Dress for Excess Exhibit. I do hope you have enjoyed reading them. Once again I would like to take this opportunity to thank all at the Royal Pavilion, Brighton and the Brighton and Hove Musuem services for all their kindness and help with access and providing me with additional photographs.

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