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In this fifth part of our journey around the Royal Pavilion , Brighton, George IVs pleasure palace, which would no doubt have been an object of scorn for Jane Austen , as averse to him as she most decidedly was……we are now nearing the end of the tour of the rooms on the Steyne Front on the ground floor. (You can see the ground-plan of the Pavilion, above).  After leaving the Banqueting Gallery, we move into the Saloon, which is the central room on the facade, numbered “1” in red on the ground-plan above.

This room was being restored when I visited, and so to see the interior we shall take a look at another of the watercolours by John Nash, the Prince Regent’s favoured architect. This is his  view of the room as it appeared in the 1820s.

(©Royal Pavilion & Museums, Brighton & Hove)

This room was originally decorated in the Chinoiserie style but from the 1820s it took on a different character, and was re-decorated in the Indian style.  The gilded canopies above the wall panels, the overmantle mirrors and above the curtains are all derived from Mogul architecture. The scheme was designed by Robert Jones.

This room leads directly into the Music Room Gallery, seen below. Again this room has undergone many changes in style: it was first divided into two rooms-aneating room and a library. This was when the Pavilion took the form of the Marine Pavilion, designed by Henry Holland in the 1780s. The room was then made into its current large size and the dividing wall was removed. It was decorated in the Chinoiserie style in 1803. It was then used as a billiards room. It then underwent another change and  was decorated in the Egyptian Style. Accordingly  it was known as the Egyptian Gallery. But in 1815 the Prince reverted to type and Chinoiserie again was designated as the theme for the room, and in 1821 it was eventually decorated in the style we see today and in Nash’s watercolour, below.

The elegant columns are made of cast iron and support the floor above. Some of the furniture from the Chinese Drawing Room in Carlton House in London, the place Jane Austen visited in 1815, made its way here before that building was demolished. .This room was often used for small musical gatherings.

(©Royal Pavilion & Museums, Brighton & Hove)

It is in this room that some of the Dress for Excess costumes are on display.  A lady’s pelisse circa 1825…

And here is a better picture of it, remember you can enlarge all these photographs simply by clicking on them…..

(©Royal Pavilion & Museums, Brighton & Hove)

Here is a close-up of the front detail of the pelisse

(©Royal Pavilion & Museums, Brighton & Hove)

and here is a close-up photograph of the shoulder detail. I love the covered button detail……

(©Royal Pavilion & Museums, Brighton & Hove)

Also on display was a very elaborate spencer made of fine silk

and a uniform worn at the Battle of Waterloo……which is quite ironic as the Prince Regent was so impressed by the Allies victory at Waterloo in 1815 that by the end of  his life he had convinced himself that he was actually there taking part. Which he decidedly was not.

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Next in this series, the magnificent Music Room.

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