Burghley House in Stamford, Lincolnshire was the location chosen to represent Rosings, Lady Catherine de Bourgh’s home in the 2005 film adaptation of Pride and Prejudice. It might at first appear to have been an odd choice. Rosings in the text is clearly referred to as a modern house-
It was a handsome modern building, well situated on rising ground
-all done no doubt to subtly throw doubt on the age of Sir Lewis de Boughs “noble” origins. Burghley is so obviously an Elizabethan house, built in the late 16th century for Queen Elizabeth I’s loyal minister, William Cecil, and therefore could never have been thought of as “new” in 1796 ,when this adaptation was set.
However, it was convenient. It is to be found on the outskirts of the town of Stamford, which was the real town used as the setting for Meryton in the film (and which I have previously written about here and here)
In this first post of three about Burghley and Pride and Prejudice, I will write about one of the rooms used in the adaptation…the Heaven Room.
This was the setting for Lady Catherine’s drawing-room at Rosings…
where Elizabeth is introduced to a rather formidable Lady Catherine in the company of Charlotte and Mr Collins…and unexpectedly meets Mr Darcy and Colonel Fitzwilliam , Lady Catherine’s nephews, who were also staying there…
…and where after dinner, we learn that Anne de Bourgh doesn’t play due to her delicate health…
But eventually Elizabeth is persuaded to play..though she does so very indifferently and with a very bad grace….not performing to strangers, indeed.
The Heaven Room,where these scenes were filmed is simply an astounding room. It is almost totally painted,
all the walls and ceiling,with roundels executed in grisaille over the entrances.
Seen in bright sunlight-as on the day I took my photographs- it all encompassing effect is almost overwhelming…
The gods and goddesses disporting themselves amidst tromp l’oeil columns and pediments, the sky seamlessly merging with the painted walls…
…a magically painted rainbow cutting through the scene on the right.
The room was painted by Antonio Verrio, the celebrated Italian muralist,who was patronised by Charles II (my hero)and James II, creating painted interiors at Windsor Castle and Hampton Court Palace but who later fell out of court favour with the accession to the throne of William III.
He stayed at Burghley for some considerable time, painting these magnificent rooms, becoming part of the 5th Earl of Exeter’s social circle, even joining an informal gentleman’s private drinking club known as the Little Bedlam Club, based at Burghley and whose other members included the portraitist Sir Godfrey Kneller and the Earl himself. The club was well named in Verrio’s case ( the rules of the club are still on display in the Billiard Room in the House) for he was(and still is!!) known for causing havoc in the nearby town of Stamford running up tremendous bar bills and gaming debts and “wenching” in a rather George Wickham-like manner. intriguingly he included a portrait of himself in this room, and here it is in close up below….
He is shown without his usual Baroque wig , sketching while sitting in the forge of the cyclops, which you can see to the right of the centre section, shown below the falling rainbow.
Obviously it was logically too hot to wear a wig in such circumstances…
Choosing such grand and Baroque interiors certainly contributed to the impression of the grandness of Lady Catherine’s social situation in this film, emphasising the social gulf between Elizabeth Bennet and Darcy’s family and relations, though a modern interior for the time would have been more appropriate, in my opinion.
I should like to thank the Trustees of Burghley House Preservation Trust , Phillip Gompertz, the house manager and the room Stewards for all their assistance , kindness and for granting me permission of photograph the Heaven Room. And also for allowing me to reproduce images 2-5 in this post. Burghley is a magical house, with stunning interiors( more on these in the next post) marvellous grounds and above all a happy atmosphere throughout all the house and the parts of the estate open to the public. If you can, do go and visit, for its welcome is always warm and the contents are always amazing to see, with something new to discover on every trip.
Next in this series, The Bow Room, used as Lady Catherine’s dining room.













































































9 comments
November 10, 2010 at 12:08 pm
Susan Holloway Scott
Thank you so much for this! Verrio’s grandest works at Whitehall and Windsor have not survived, and if this single room is any indication, they must have been incredible. As patron and painter, Charles II and Verrio were perfectly suited to one another, weren’t they?
November 10, 2010 at 3:01 pm
jfwakefield
I find this room sometimes overwhelming.It is a stupendous piece of work,and hope you get to see it one day Susan.And yes, Charles II and Verrio would have been a VERY interesting combination. I often think that the doings of the Little Bedlam Club would make a great basis for a series of historical novels ;)
November 10, 2010 at 6:44 pm
Cathy Allen
Sometimes overwhelming…Boy howdy! I’d say that was an understatement! I believe I’d be quite intimidated to just walk into it, so I would say that the film makers’ shorthand worked, especially for such a short movie. Having wandered through the Geffreye website, though, and looked at the contemporary drawing room for that decade, it certainly isn’t at all modern. Thanks for helping me put that together!
Also, from the little bit of reading I’ve done about Charles II (once again, in books recommended by you, Julie, thank you!) the “Club” must’ve been a bunch of “wild and crazy guys!” :-D (Go for it, Susan!)
Thank you, Julie for another fascinating post!
CEA
November 13, 2010 at 10:45 am
jfwakefield
I think that Club was rather wild ;-) And Im glad you agree about the appropriateness of that room ;)
November 10, 2010 at 4:28 pm
Susan Holloway Scott
“A series of historical novels?” Hmmmmm :)
I’m not sure anyone could call Verrio a great artist, but he definitely gave his patrons what they wished, which was to leave the neighbors speechless. He was a Godsend to Charles, who was desperately trying to out-do his cousin Louis’s Versailles at Windsor. With Verrio on board, he probably came close. I agree that historically Burghley might not have been the perfect fit for Lady Catherine, but spiritually — as in I want to overwhelm you with my own supreme magnifcence the moment you step through the door — I think the Heaven Room seems the perfect choice.
November 10, 2010 at 5:06 pm
jfwakefield
You’re welcome ;)
I do appreciate your view about the decoration of the room reflecting Lady Catherine’s magnificne, but it really is too old a room and house. I think by placing her in a magnificent but modern for the time house, Austen was telling us,as she did with the lack of an entail preserving the house and estate in the male line ,that Sir Lewis was not as noble as lady Catherine would have us believe,and to give her an old house misses the subtlety of those points ;)
November 10, 2010 at 6:22 pm
Susan Holloway Scott
Oh, Julie, I know you’re right….I was just suckered in by Master Verrio’s glorious excess. *g* I’m looking forward to the Bow Room next!
November 16, 2010 at 8:17 pm
Jane Austen’s Film and TV Locations-The Bow Room at Burghley House, the location for the Dining Room at Rosing in Pride and Prejudice 2005. « austenonly
[...] and TV Locations, Jane Austen, Pride and Prejudice | by jfwakefield Last week we talked about Burghley House and its fantastic Heaven Room which was used as the location for Lady Catherine de Bourgh’s drawing-room at Rosings in the [...]
November 18, 2010 at 1:09 pm
imogen88
Heavenly room it is. So interesting to see the artist, who I knew little about until now. Charles II your hero and historical hunk is LOL again. He is a wonderful figure in history! These posts are like being on the visits with you, Julie, and the personal touches make them even better! ;-)